Toshiro Mifune se narodil 1. Akira Kurosawa - Wikipedia. Akira Kurosawa. Regarded as one of the most important and influential filmmakers in the history of cinema, Kurosawa directed 3. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director in 1. World War II, with the popular action film. Sanshiro Sugata (a. After the war, the critically acclaimed Drunken Angel (1. Kurosawa cast then- unknown actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another 1. The commercial and critical success of this film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Akira Kurosawa on the set of Seven Samurai in 1953. Born March 23, 1910 Shinagawa, Tokyo, Japan: Died: September 6, 1998 (aged 88).
Throughout the 1. Kurosawa directed approximately a film a year, including a number of highly regarded films such as Ikiru (1. Seven Samurai (1. Yojimbo (1. 96. 1). After the mid- 1. His father Isamu, a member of a former samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima came from a merchant's family living in Osaka. Akira was the eighth and youngest child of the moderately wealthy family, with two of his siblings already grown up at the time of his birth and one deceased, leaving Kurosawa to grow up with three sisters and a brother. He encouraged his children to watch films; young Akira viewed his first movies at the age of six. In the aftermath of the Great Kant. When the younger brother wanted to look away from the human corpses and animal carcasses scattered everywhere, Heigo forbade him to do so, instead encouraging Akira to face his fears by confronting them directly. Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work. Akira, who at this point planned to become a painter. However, he was never able to make a living with his art, and, as he began to perceive most of the proletarian movement as . In July 1. 93. 3, Heigo committed suicide. Kurosawa has commented on the lasting sense of loss he felt at his brother's death. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applicants to discuss the fundamental deficiencies of Japanese films and find ways to overcome them. His half- mocking view was that if the deficiencies were fundamental, there was no way to correct them. Kurosawa's essay earned him a call to take the follow- up exams, and director Kajir. The 2. 5- year- old Kurosawa joined P. C. L. Of his 2. 4 films as A. D., he worked on 1. Yamamoto, many of them comedies featuring the popular actor Kenichi Enomoto, known as . He also frequently wrote screenplays for other directors such as for Satsuo Yamamoto's film, A Triumph of Wings (Tsubasa no gaika, 1. This outside scriptwriting would serve Kurosawa as a lucrative sideline lasting well into the 1. Towards the end of 1. Japanese attack on Pearl Harbor, novelist Tsuneo Tomita published his Musashi Miyamoto- inspired judo novel, Sanshiro Sugata, the advertisements for which intrigued Kurosawa. He bought the book on its publication day, devoured it in one sitting, and immediately asked Toho to secure the film rights. Kurosawa's initial instinct proved correct as, within a few days, three other major Japanese studios also offered to buy the rights. Toho prevailed, and Kurosawa began pre- production on his debut work as director. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter. The censorship office considered the work too . A lot of people try to imitate Mifune, but nobody can. Stop and watch this now! The first official trailer has debuted online for a fantastic documentary. Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China. Seven Samurai Blu-ray (. A Japanese farming village. Nevertheless, the censorship office would later decide to cut out some 1. In order to coax realistic performances from his actresses, the director had them live in a real factory during the shoot, eat the factory food and call each other by their character names. He would use similar methods with his performers throughout his career. She and Kurosawa were constantly at loggerheads, and it was through these arguments that the two, paradoxically, became close. They married on May 2. Yaguchi two months pregnant (she never resumed her acting career), and the couple would remain together until her death in 1. The often blatantly propagandistic Sanshiro Sugata Part II, which premiered in May 1. The Men Who Tread on the Tiger's Tail, based on the Kabuki play Kanjinch. By this time, Japan had surrendered and the occupation of Japan had begun. The new American censors interpreted the values allegedly promoted in the picture as overly . The first such film, No Regrets for Our Youth (1. Takigawa incident and the Hotsumi Ozaki wartime spy case, criticized Japan's prewar regime for its political oppression. He studied the movement of lions. He’s like a caged animal,” says Martin Scorsese in the (above) trailer for Mifune. Untuk mengetahui lebih lanjut tentang film-film bertema samurai terbaik yang pernah beredar di pasaran, tak ada salahnya jika kita menyimak artikel dari Top10Indo. Atypically for the director, the heroic central character is a woman, Yukie (Setsuko Hara), born into upper- middle- class privilege, who comes to question her values in a time of political crisis. The original script had to be extensively rewritten and, because of its controversial theme (and because the protagonist was a woman), the completed work divided critics, but it nevertheless managed to win the approval of audiences, who turned variations on the film's title (. It is a relatively uncomplicated and sentimental love story dealing with an impoverished postwar couple trying to enjoy, within the devastation of postwar Tokyo, their one weekly day off. The movie bears the influence of Frank Capra, D. It marked the debut of the intense young actor Toshiro Mifune. It was Kurosawa who, with his mentor Yamamoto, had intervened to persuade Toho to sign Mifune, during an audition in which the young man greatly impressed Kurosawa, but managed to alienate most of the other judges. A grittily realistic story of a doctor who tries to save a gangster (yakuza) with tuberculosis, it was also the director's first film with Toshiro Mifune, who would proceed to play either the main or a major character in all but one (Ikiru) of the director's next 1. While Mifune was not cast as the protagonist in Drunken Angel, his explosive performance as the gangster so dominates the drama that he shifted the focus from the title character, the alcoholic doctor played by Takashi Shimura, who had already appeared in several Kurosawa movies. However, Kurosawa did not want to smother the young actor's immense vitality, and Mifune's rebellious character electrified audiences in much the way that Marlon Brando's defiant stance would startle American film audiences a few years later. The film premiered in Tokyo in April 1. Kinema Junpo critics poll as the best film of its year, the first of three Kurosawa movies to be so honored. For this organization's debut work, and first film for Daiei studios, Kurosawa turned to a contemporary play by Kazuo Kikuta and, together with Taniguchi, adapted it for the screen. The Quiet Duel starred Toshiro Mifune as an idealistic young doctor struggling with syphilis, a deliberate attempt by Kurosawa to break the actor away from being typecast as gangsters. Released in March 1. It is a detective movie (perhaps the first important Japanese film in that genre). Adapted from an unpublished novel by Kurosawa in the style of a favorite writer of his, Georges Simenon, it was the director's first collaboration with screenwriter Ryuzo Kikushima, who would later help to script eight other Kurosawa films. A famous, virtually wordless sequence, lasting over eight minutes, shows the detective, disguised as an impoverished veteran, wandering the streets in search of the gun thief; it employed actual documentary footage of war- ravaged Tokyo neighborhoods shot by Kurosawa's friend, Ishir. The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished product as dramatically unfocused and unsatisfactory, and almost all critics agree. Kurosawa picked a script by an aspiring young screenwriter, Shinobu Hashimoto. Kurosawa saw potential in the script, and with Hashimoto's help, polished and expanded it and then pitched it to Daiei, who were happy to accept the project due to its low budget. Just one week was spent in hurried post- production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 2. The movie was met by lukewarm reviews, with many critics puzzled by its unique theme and treatment, but it was nevertheless a moderate financial success for Daiei. The filmmaker relocated the story from Russia to Hokkaido, but it is otherwise very faithful to the original, a fact seen by many critics as detrimental to the work. A studio- mandated edit shortened it from Kurosawa's original cut of 2. It is widely considered today to be one of the director's least successful works. Contemporary reviews were very negative, but the film was a moderate success at the box office, largely because of the popularity of one of its stars, Setsuko Hara. On September 1. 0, 1. Rashomon was awarded the festival's highest prize, the Golden Lion, shocking not only Daiei but the international film world, which at the time was largely unaware of Japan's decades- old cinematic tradition. The company was taking a considerable gamble. It had put out only one prior subtitled film in the American market, and the only previous Japanese talkie commercially released in New York had been Mikio Naruse's comedy, Wife! Be Like a Rose, in 1. However, Rashomon's commercial run, greatly helped by strong reviews from critics and even the columnist Ed Sullivan, was very successful. The movie stars Takashi Shimura as a cancer- ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death. For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co- write 1.
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